The 12^th Meeting of the

International Musicological Society – Study Group CANTUS PLANUS

Lillafüred/Hungary, 2004. Aug. 23—28.

		I. Aug. 23. Monday, 18.00 Chair: Ch. Atkinson
1	A. Shiloah	The Viewpoints of two Medieval Jewish philosophers on Music and its Relation to the Bible and Cantillation (Saadia Gaon and Judah Halevi)
2	M. Huglo	The versus “Salve festa dies” and its Dissemination in Manuscript Processionals

		II. Aug. 24. Tuesday, 9.00 — 12.30 Chair: C. Brockett
1	R. Randhofer	Oral versus written: Structural differences on Psalms in Jewish and Christian traditions
2	Ch.Troelsgård	Simple Psalmody in Byzantine Chant
3	E. Hornby	Rhetoric and Exegesis in the Second-Mode Tracts, and the Way in which these Chants Function as “Readings” of their Texts
4	T. F. Kelly	The Persistence of Tradition in a Late Beneventan Antiphoner
5	J. Caldwell	The Old-Roman Invitatorium and its Relation to the Mainstream Model
		Discussion
6	T. Bailey	The Antiphon: Compositional Procedure
7-8	G. Iversen and M-N. Colette	From “Fulgens praeclara” to “Rex Salomon”. Early Sequences in Compiègne and New Sequences in Nevers (Textual and Musical Analysis)
9	D. Hiley	Series of Post-Pentecost Alleluias. Use and Abuse
		Discussion

		III. Aug. 24. Tuesday, 15.00 — 18.30; Session A Chair: P. Jeffery
1	E. Markham	Contrafactum and a Buddhist Neumatic Notation from Medieval Japan
2	Ch. Atkinson	Alia via in Aliam musicam
3	F. McAlpine	Beginnings and Endings: Defining the Mode in a Medieval Chant
4	P. Erevnidis	On the intervallic content of the Byzantine Modes According to the MS Parisinus Gr360 ’Hagiopolites’ and the ’Armonika’ of Manuel Bryennius
5	I. Arvanitis	Intervals in Medieval Byzantine Chant: A Hypothesis Formulated on Early and Later Evidence
		Discussion
6	V-S. Peno	Some remarks on the Mean-ing of Ethos in the Orthodox Chant
7	Dobszay, L.	The Histories of the Pre-Lenten Period
8	Gilányi, G.	Peculiar Responsories in the Lenten Office of Medieval Aquileia
9	L. Kruckenberg	Messine Tropes and the Lothringian Axis
		Discussion

		IV. Aug. 24. Tuesday, 15.00 — 18.30 session B Chair: G. Wolfram
1	S. Martani	Die letzte Phase der ekphonetischen Notation: die Hs. El-Isandariya Bibl. Patriar. 10.
2	K. Terzopoulos	The Final Stage of Byzantine Notational Development as Viewed through the Prism of the Mss., Exegeseis and Compositions of Konstantinos Byzantios
3	S. Kujumdzieva	Studying the Neumated Oktoechos:From the Oktoechos to the Anastasimatarion
4	D. van Betteray	Liqueszenzen als Schlüssel zur Textinterpretation – eine semiologische Untersuchung an Sankt Galler Quellen
5	S. Morent	Remarks on the Notation in the Hildegard Manuscripts
		Discussion
6	A. Jaropolov	Role of the Simple Neumes in Ideographic Compound Neumes and in Non-Ideographic (“Resolved”) Context in Zunamenny Chant with Grapchical and Melodic Analysis of 4 Sticheira from the Collection of Moscow Spiritual Academy
7	O. Mascareñas	Ornamental Procedures in Gregorian Chant: A Syntactic Study of the Quilisma and Oriscus
8	P. Loewen	The Sound of Chant in a Rubricated Manuscript from Tegernsee
9	T. J. McGee	The Sound of the Early Neumes
		Discussion

	V. Aug. 24. Tuesday, after dinner
M. Fassler	Work and Pray: Living the Psalms with the Nuns of Regina Laudis (video presentation)

		VI. Aug. 25. Wednesday, 9.00 — 12.30 Chair: D. Hiley
1	J. Schlichtina	The Troparia of the Great Hours during 1100 Years
2	G. Myers	The Impact of the Trnovo Hymnographic School on Late Chant Development in Slavia Orthodoxa: Isaiah’s Anthology and Evstatie’s Song Book Revisited
3	Szendrei, J.	„O crux viride” – ein seltenes Proprium für die Heilig-Kreuz-Messe
4	G. Baroffio	Corpus Hymnorum Italicum: I. L’innodia dei francescani veneti
5	Fehér, J.	The Hymnal of the Dominicans and the Teutonic Knights
		Discussion
6	M. P. Ferreira	Notation and Psalmody: A Southwestern Connection?
7	M. J. Høye	The Kyrie Melodies of the West-Frankish area
8	Kiss G.	Kyriale (cathalogue)
9	H. Vlhova-Woerner	Two Marian Tropes to Sanctus from the 12^th Century
		Discussion

		VII. Aug. 25. Wednesday, 15.00 — 18.30; session A Chair: B. Haggh
1	F. K. Praßl	Erste Spuren des „germanischern Choraldialekts” im Codex Einsiedeln 121
2	A. Vildera	The Sanctoral in cod. Zagreb MR 72 (around 1270)
3	N. Bell	The Hirsch Missal
4	J. Snoj	The Plainchant manuscripts from Koper / Capodsitria
5	L. Nardini	The Neo-Gregorian Chant for the Mass in Southern Italy
		Discussion
6	G. Clément-Dumas	Processionals
7	Csomó, O.	Le Manuscrit 541 de la Bibliothèque Mazarine
8	N. H. Petersen	Liturgy and Ritual in the Middle Ages
9	F. Niiyama-Kalicki	Hymnen Repertoire des Stiftes Nonnberg in Salzburg
		Discussion

		VIII. Aug. 25. Wednesday, 15.00 — 18.30; session B Chair: Ch. Troelsgård
1	G. Wolfram	Die spätbyzantinische Gesangsform der Kratemata
2	A. Vovk	An European in Egypt: Late Byzantino-Sinaitic Singing Tradition in Writings by Guillaume-André Villoteau
3	G. Garofalo	The Byzantine Chant of the Albanians of Sicily
4	I. Perkovic-Radak	Serbian Traditional Church Chant and Choral Church Music in the 19^th c.
5	C. Moisil	The Anastasimatarion of Petros Lampadarios Translated into Romanian. Rules of Translation.
		Discussion
6	O. Gerlach	“The Singer is Better, the Older He is!’ On the Role of Creativity in Passing Down Liturgical Music from the 19^th and 20^th Centuries
7	H-A. Kim	Rhetoric and the Reform of Plainchant in Tudor England: Rhythm and Meter in John Merbecke’s ‘The Booke of Common Praier Noted’ (1550)
8	J. M. Pedrosa Cardoso	Die Frage der liturgische Passionmusik in Portugal von 16 .bis 18. Jh.
9	K. Elemans	Apparent Bias in the Data of Solesmes’ Graduale Romanum ed. Critique Study Invalidates Results
		Discussion

Aug. 26. Thursday: Excursion to Sárospatak

		IX. Aug. 27. Friday 9.00 — 12.30 Chair: J. Snoj
1	A-M. Nilsson	Celebremus karissimi. Chants for the Swedish Saint Sigfrid
2	G-M. Hair	Reconstructing Offices for Scottish Saints: St. Andrew and St. Kentigern from Manuscripts in Use in Scottland c. 1300
3	R. Hankeln	Music, memoria and the struggle for political identity: The chants for emperor Arnulf in an office for St Denis at St Emmeram
4	Zs. Czagány	Historien an der Periphärie. Einheit und Variabilität im Repertoire der Heiligenoffizien in mitteleuropäischen Grenzgebieten
5	J. Boyce	Rhymed Offices in the Kraków Carmelite Liturgy
		Discussion
6	B. Haggh	Du Fay’s Melodies for the ’Recollectio’: Their Composition for Cambrai Cathedral and their Survival in Reformed Officia
7	A. Parsons	The Use of Guisborough: The Liturgy and Chant of the Augustinian Canons of Medieval Yorkshire
8	V. Schier	The Cantus Sororum: Nuns Singing for their Supper, Singing for Saffron, Singing for Salvation
9	S. Zapke	Spanish Medieval Music.ChansonierThibaut de Champagne
		Discussion
		X. Aug. 27. Friday, 14.30 — 17.30 Chair: T. Bailey
1	S. Engels	Neue Quellen zu Neumen mit adiastematischer Zusatzbedeutung in österreichischen Handschriften
2	J. Weber	The ‘Mystery’ of Old Spanish Chant
3	H. Breko	Sources of the Simple Polyphony from Dalmatia
4	S. Grassin	Simple polyphonies
5	Kovács, A.	The Sanctorale of the Officium Strigoniense
		Discussion

		XI. Aug. 28. Saturday, 9.00 — 10.30 Chair: Th. F. Kelly
1	A. Doneda	Data Representation for Byzantine Chant: Report from the NEUMES Project
2	J. Dyer	Voices from the Belly of the Whale and the Fiery Furnace: Lectionary and Canticle Tones in the Sancta Cecilia Epistolary (11c.)
3	P. Jeffery	Teaching Gregorian Chant Performance to American College Students
4	N. BenZvi	Biblical Cantillation by Turkish-Jewish cantors
		Discussion
	11.00–12.30	Business Meeting

13.00	Lunch
14.30	Back to Budapest (arrival cca. 18.30)